Motion & still.One eye, both formats.
Selected work
One shoot day.
Two campaigns.
You’ve already paid for the location, the build, the talent and the crew. The same day can produce a second campaign.
I come embedded, with a deliverable of my own. That can be stills off a film day, motion off a stills day, or a whole film alongside yours.
How I work
Both formats
On some jobs the film leads. On others the stills do. Both get planned in prep, so both come back as campaigns and not a folder of maybes.
People and movement
I danced professionally for ten years, b-boy and popper, and spent seven of them running casting callbacks. I can feel when someone is about to give me something good, and I know how to keep them comfortable until they do.
Prep to screen
I can build the look before we shoot and carry it through post: dailies, color, finishing, masters. I’ve done those jobs myself, so your dailies come out looking like the film. Nobody gets attached to the wrong picture.
What are you making?
Boards, a deck, or a paragraph. Whatever you’ve got.